![]() and China, modernization in Bhutan, and immigrant entrepreneurs. Books, chapters, and articles focus on high technology parks and industry clusters (life science, furniture, tea) across the U.S. Research interests concern regional economic development, particularly in rapidly transitioning areas throughout Asia. Susan Walcott is a Professor Emerita of Geography at the University of North Carolina-Greensboro, and formerly at Georgia State University in Atlanta. In recent years her research has been directed particularly to rock art of North Asia in the pre-Bronze, Bronze, and early Iron Ages.ĭr. Extended study periods in the former Soviet Union allowed Jacobson-Tepfer to investigate more fully those nomadic traditions and to refocus her research interests in North Asia, the Early Nomads, and their Bronze Age predecessors. In her early publications she began to explore the interconnections between Chinese artistic traditions of the Zhou-Han period and those of the Early Nomads inhabiting the steppe region to the north of China’s borders. Esther Jacobson-Tepfer received her doctoral degree in Chinese art history from the University of Chicago (1970). Clips from four movies set in Mongolia, plus a popular music group using throat singing and traditional instruments, showcase historical legacies and present day consequences. ![]() Turkic, Tibetan Buddhist, and Moslem influences mixed with Mongolia’s Silk Road role as a cultural transmitter between Asia and the West. This joint lecture by two emerita professors from geography and art history will provide a broad consideration of Mongolia from its fifth century status as one of several nomadic groups on the steppes north of China, through Genghis Khan’s launching of the largest contiguous land empire in the world, to its contemporary situation as a rising Central Asian power. Learn more about Morrow and his work at Mongolia: The Land of Genghis Khanīaker Downtown Center and Zoom presenters at Baker Downtown Center and was sold for distribution at the Cannes Film Festival. It was shot in Dublin, Belfast, and the U.S. His latest film is the feature-length thriller Black Pool, which is set against the political conflict in Northern Ireland. His latest books are Kathleen Turner on Acting: Conversations about Film, Television and Theater (Simon & Schuster), a collaboration with the legendary actress and the textbook Producing for TV and New Media (Focal Press). Before re-entering academia, Morrow was an editor and director of short-form projects and series television in Los Angeles, for such clients as MTV and the Discovery Channel, and such filmmakers as Spike Jonze, Michael Apted, Guy Ritchie, Steven Soderbergh, and (as directors) Kathy Bates and Denzel Washington. Morrow’s films have won numerous awards and been shown in in more than 40 countries around the world. He previously taught at Temple University in Philadelphia, Monmouth College in Illinois, and the University of Iowa in Iowa City. He is currently a tenured Professor in the School of Film at Portland State University, where he teaches courses in digital cinema production, screenwriting, and film studies. Morrow is an Emmy-winning filmmaker, bestselling author, film programmer and educator. He also illuminates the relationship between time and editing, and the inherent romance and beauty of this mysterious art form. Presenter Dustin Morrow explores the history and psychology of editing, drawing upon years of experience as a professional editor in Hollywood. Ironically, an editor invests weeks or months of intensive work to achieve the impression that he has done nothing at all.” This lecture takes this invisible art and makes it visible. A successful editor named Ralph Rosenblum ( The Producers, Annie Hall) once said, “The best compliment one can pay an editor is to tell him his editing is invisible: an editing job is considered successful when it goes unnoticed on the screen.
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